ERIKA E. HUGHES
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Beneath
Scattering Salt
After the Flood
QUEST
Presence of the Past
King Gordogon
Lahore in Miniature
This girl laughs, this girl cries, this girl does nothing
Light Rail Plays
Still Life With Iris
Project North
The Matchmaker
English Theatre Berlin's 10 Minute Plays
Tower of Babbel
Jake the Dog
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Erika Hughes has published essays on theatre history and performance making in a range of major peer-reviewed academic journals and edited volumes, as well as writing for the general public.
A selected bibliography is below.
Holocaust Memory and Youth Performance
. Bloomsbury/Methuen Drama. Forthcoming: Autumn 2022.
Co-editor,
Youth Theatre Journal
special issue: “Intergenerational Drama.” Co-edited with Angela
Sweigart-Gallagher. Youth Theatre Journal
is the official journal of the American Alliance for Theatre & Education and published by Taylor & Francis. Publication January 2021.
"Is the coronavirus the end of the handshake?"
The Conversation,
March 2020.
"
Coronavirus: ¿Estamos ante el fin del apretón de manos?"
The Conversation
, March 2020.
“Performing Witnessing: Dramatic Engagement, Trauma and Museum Installations.”
Research in Drama Education
23.2, 2018. 274-281.
“The Veterans Project: Historiography in/as Performance.”
Theatre Topics
27.3, 2017. 179-186.
“Dramaturgies of Risky Play: Two (risky) case studies.”
Youth Theatre Journal
31.1, Spring 2017. 35-47.
“Staging and Screening Anne Frank's Diary: Polemic and consensus in television, film, and theatrical adaptations.”
In
Critical Insights: Anne Frank, The Diary of a Young Girl
. Ipswich: Salem Press, 2017. 157-171.
“Embodied Historiography: Rupture as the Performance of History.” Co-authored with Boyd Branch.
Performance
Research
special volume, “On Rupture
.
” December 2014. 108-115.
“
Linie 1
and the GRIPS Theater: Traversing Divided and Reunified Berlin.”
Nationalism and Youth in Theatre and
Performance
.
Ed. Victoria Pettersen Lantz and Angela Sweigart-Gallagher. London: Routledge, 2014. 19-33.
“Defining the Child: Taboos of Fear and Age Appropriateness in Youth Holocaust Drama.”
TYA, Culture, Society:
International Essays on Theatre for Young Audiences.
A Publication of ASSITEJ and ITYARN
.
Ed. Manon
van de Water. Frankfurt: Peter Lang, May 2012. 69-84.
“The Holocaust in Contemporary Drama and Performance for Young Audiences.”
Youth Theatre Journal
25: Spring
2011. 51-62.
“Understanding
Einverständnis
: Ideology in Brecht’s
Der Jasager
and
Der Neinsager
.”
Youth Theatre Journal
24:
Fall 2010. 124-139.
“Brecht’s Lehrstücke: Educational Theatre.”
Key Concepts in Theatre/Drama Education
. Ed. Shifra Schonmann.
Rotterdam: Sense, 2010. 197-202.
“Art and Illegality on the Weimar Stage: The Dances of Celly de Rheydt, Anita Berber and Valeska Gert.”
Journal of
European Studies
.
September 2009, Vol. 39. 320-335.
Please see her
PURE profile
at the University of Portsmouth website for additional links to her scholarship and research projects.
Home
About
Performance
The Amazing Life of Margot Heuman
The Veterans Project
Odyssey Home
Boats
Beneath
Scattering Salt
After the Flood
QUEST
Presence of the Past
King Gordogon
Lahore in Miniature
This girl laughs, this girl cries, this girl does nothing
Light Rail Plays
Still Life With Iris
Project North
The Matchmaker
English Theatre Berlin's 10 Minute Plays
Tower of Babbel
Jake the Dog
Press
Publications
Contact